Oil slick.

I hated this year's spring fashion shows.

While last year's collections (whimsical Miu Miu! Minimalist Chloé! Refugee-glam Balmain! Not to mention Karl's überfemme farmyard circus for Chanel) inspired me to push through Ye Olde Dark Days of Midwestern North Facery and onward to greener pastures, this year's offerings have left me decidedly unmoved. Pops of color, whatever. Oriental details, fine. But are you aware of the monstrosity we are being expected to embrace as "the shade of the season"? Orange. Who looks good in orange? Jennifer Garner at the Oscars in 2008. Halle Berry in her Bond girl bikini. Probably Brigitte Bardot, because, I mean...duh.

That's it. Nobody else.

I intend to avoid controversy and/or becoming a social pariah this spring by burying myself in vintage (four years out of style? Unforgivable. Forty years out of style? Genius! So individual!), but I will cede that there are bright spots in the modern-day fashion forecast. Maxiskirts, for one. I'm smitten, particularly those rendered in floaty fabrics like pleated chiffon and silk crepe de chine. And then there are metallics. I've always found metallic accessories to be a little too South Beach-chic for my taste (or a little too South Bronx-chic, depending on the designer), but I must admit that the latest crop is slowly burning a sunspot into my heart. I'll probably never be a gal who buys flashy gold bags and strappy silver Manolos (Carrie Bradshaw obsession notwithstanding); rather, my proverbial dollar goes to shades of aquamarine and copper that bear less resemblance to Snooki's night-out attire than they do to the sidewalk after it rains.



Yarrr! It's the not-so-cursed "Black Pearl," Chanel's latest nail epidemic. While things are still hot and heavy between me and the ol' "Factory Gray", I suppose I could be persuaded to alternate between nails the color of wet cement and nails the color of a rare and precious sea gem. I'm loving the oily iridescence that makes its distinctive deep green base seem almost neutral.







I spent the morning getting paid to ogle department store handbags on a "comparative shopping trip" for my job as a resale buyer (rough life, I know. I got free coffee, too!), and this clutch by Halston Heritage was a major standout. The pictures hardly do justice to the complexity of the metallic. I just wanted to stand there and stare. And while we're on the subject of Halston (a brand headed by the real-life Carrie Bradshaw, Sarah Jessica Parker) and things that are shiny, I wouldn't say no to this or this, either.

Metallics: not just for Lil Jon and the Macy's holiday windows. Who knew? Nobody, not one person.

And just because it seemed somewhat relevant to the petroleum-streaked samples above, I thought I'd throw in this editorial from Vogue Italia's September issue. It was met with mixed reviews from the fashion community - some thought the timing of the shoot was too soon/too real/too wait, is Kristen McMenamy really imitating a choking pelican? - but I thought it was beautiful and brilliant. I meant to do a post on fashion's ability to bring attention to current events at the time and got distracted. But even though it's a few months late, enjoy Steven Meisel's stunning and uncomfortable portrayal of last summer's Gulf crisis.

McQueen has McQuit.

Designer Lee McQueen (of Alexander McQueen) was found dead today in an apparent suicide.

I often feel that celebrity deaths are blown out of proportion. Maybe it's because I don't completely buy into pop culture, but I have a hard time feeling anything beyond an initial "Wow...really?" when I hear about another "tragic" celebrity death. Of course it's difficult for the families, but no more difficult than it is for any other family going through a personal loss. If anything makes semi-public grieving a harder pill to swallow, it's the paparazzi. Not the loss itself. All human lives end with equal gravity.

For the greater population, the only thing we have the right to mourn, the only thing that gives us the right to tweet en masse about the "tragedy" of it all, is the loss of potential. That I understand. It's the unexpected yanking away of an artist who could have turned out a work with such innovation and power to inspire that we will unknowingly suffer for not having seen it come to fruition. Heath Ledger, for example. Brilliant actor at the peak of his career. Heath Ledger's death was tragic. I realize that what I'm about to say will be controversial, but: Michael Jackson? He was the King of Pop. He changed American music immeasurably. But he lived a life full of self-hatred and public controversy. He hadn't put out a record in almost a decade, and even that was negligible in its musical impact. I would never say that Michael's life wasn't worth commemorating - even celebrating - but that, at least, felt a bit more like how things were supposed to end.

Anyway. I would be lying if I said that McQueen was one of my favorite designers, but as someone who has always applauded people who take risks over people who achieve so-called "perfection" (I mean, my style icon is fictional fashion nutjob Carrie Bradshaw), I think that his loss to the artistic community is a great one. Dubbed l'enfant terrible for his outspoken nature and his theatrical, risk-embracing approach to fashion design, he consistently brought fresh perspective to an industry that largely makes its buck off of recycled ideas. What takes the tragedy of McQueen's death to a whole new level is, of course, its supposed nature. Having dealt personally with losing friends to suicide, I never find the notion of it any easier to wrap my head around.

No one should ever feel like they have no other option.



I don't follow Alexander McQueen closely enough to give comprehensive highlights of his career, but this tulle and tartan confection is always the first thing that springs to mind when I hear his name (that's the designer himself posing with Sarah Jessica Parker). It's a little out there, but without question one of the more memorable red carpet looks of the '00s. If you'd like a bit more insight into McQueen's aesthetic, watch the "Bad Romance" video: Gaga is clad almost entirely in McQueen throughout.

Rest in peace, Lee McQueen. You will be dearly missed by the fashion community. All the best to your friends and family.